Tatsuo Miyajima (1957)
"Fotografie 5" aus: Counter Skin in Recklinghausen
Auflage 15/20
Jahr 2008
Lambda Print
Blatt 60 x 45 cm
handsigniert
in sehr gutem Zustand
wird flach versendet und mit Versicherung und Sendungsverfolgung
Tatsuo Miyajima is one of Japan’s foremost sculptors and installation artists.
He had solo exhibitions at The Museum of Fine Arts, Gifu, Japan (2021): Chiba City Museum of Art, Chiba, Japan (2020); SCAI The Bathhouse, Tokyo, Japan (2020); Espoo Museum of Modern Art, Espoo, Finland (2020); Minsheng Museum, Shanghai, China (2019); Buchmann Galerie, Lugano, Switzerland (2019); Lisson Gallery, New York, NY, USA (2018); William Morris Gallery, London, UK (2018); Fosun Foundation, Shanghai, China (2017); SCAI The Bathhouse, Tokyo, Japan (2017); MCA, Sydney, Australia (2016); The Met Breuer, New York, NY, USA (2016); Capsule Gallery, Tokyo (2014); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing, China (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, CA, USA (1997); Fondation Cartier pour l’Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, TX, USA (1996). He has participated in the Venice Biennale (1988, 1999) and in numerous group exhibitions, including ‘Change Connect Continue’, Galleria Lorcan O’neill Roma, Italy (2019); ‘The Life of Buddha, the way to now’, Nieuwe Kerk, Amsterdam, Netherlands (2018); ‘Catastrophe and the Power of Art’, Mori Art Museum, Tokyo, Japan (2018); ‘Everything at Once’, The Store, London, UK (2017); ‘Relight Days’, Counter Void, Tokyo, Japan (2017); ‘Kumamoto Admirable’, Contemporary Art Museum Kumamoto, Japan (2016); ‘Order and Reorder: Curate Your Own Exhibition’, National Museum of Modern Art Kyoto (MOMAK), Japan (2016); ‘Eppur Si Muove’, Mudam Luxembourg (2015); ‘Boolean Expressions’, Lewis Gluckman Gallery, Ireland (2015); ‘Logical Emotion, Contemporary Art from Japan’, Museum Haus Konstruktiv, Zurich, Switzerland (2014); ‘Asia Code ZERO’, Seoul Olympic Museum of Art, Seoul, Korea (2013); ‘Marking Time’, Museum of Contemporary Art, Sydney, Australia (2012); and ‘Dome’, Hiroshima City Museum of Contemporary Art, Japan (2008). In 2006, Miyajima was selected to serve as Vice President of Tohoku University of Art and Design. His work is featured in numerous public collections including British Museum, London, UK; Tate, London, UK; La Caixa, Barcelona, Spain; National Gallery of Canada, Ottawa; and Taipei Fine Arts Museum, Taiwan.